“It’s funny and sad, sometimes within a single scene,” writes A.O. )Watch it on Netflix, After almost 20 years of popcorn moviemaking, Steven Spielberg proved himself to be not only a serious dramatist but also one of our most gifted historical chroniclers with this 1993 film.

The result is both a powerful look at our past and a frightening snapshot of our present.Watch it on Netflix, Edgar Wright (“Baby Driver”) helms this unique action/comedy with a zippy graphic-novel aesthetic. Over its nearly four-hour running time, the film explores Dylan’s childhood, his immersion in the Greenwich Village folk scene, his groundbreaking “topical songs” and his still-controversial changeover to electrified rock music. Scott praised its “speedy, funny, happy-sad spirit.” And it’s a “before they were stars” extravaganza, presciently filled with talented young actors (Brie Larson, Anna Kendrick, Aubrey Plaza, Mae Whitman, Alison Pill, and many more) who were just about to pop. www.allocine.fr/article/fichearticle_gen_carticle=18690303.html An Oscar-nominated Colin Firth stars as George, a college professor and “bachelor,” as gay men in his era were so often euphemistically known.

Queue up “The Edge of Seventeen.”)Watch it on Netflix, The British comedy troupe Monty Python created its funniest, wildest and cult-friendliest feature-length comedy with this 1975 send-up of the legend of King Arthur — and of medieval literature in general, and of big-screen epics. But Lee goes deeper, packing the film with historical references and subtext, explicitly drawing lines from the civil rights struggle of the period to the protests of our moment. A.O. The scenes are occasionally stressful, often heart-wrenching, and they unfailingly burst with life and emotion. Their shifting of priorities and geographic preferences prompts the hiring of lawyers, the spending of savings and the stating of old resentments and regrets better left unsaid.

Justin Timberlake in “Justin Timberlake + the Tennessee Kids.”, Alex Hibbert, left, and Mahershala Ali in “Moonlight.”, Doug Jones, left, and Ivana Baquero in “Pan’s Labyrinth.”, From left, Greta Gerwig, Elle Fanning and Annette Bening in “20th Century Women.”, From left, Eric Idle, John Cleese, Graham Chapman, Terry Jones and Michael Palin in “Monty Python and the Holy Grail.”, Gael García Bernal and Maribel Verdu in the film “Y Tu Mamá También.”, From left, Adam Rodriguez, Kevin Nash, Channing Tatum and Matt Bomer in "Magic Mike. )Watch it on Netflix, Charlie Kaufman pens and directs this mind-bending adaptation of Ian Reid’s novel, in which a nervous young woman (Jessie Buckley) accompanies her boyfriend (Jesse Plemmons) on a road trip to meet his parents (Toni Collette and David Thewlis). (She was nominated for an Oscar.) Scott wrote, “it honors the artist’s brave, anarchic spirit.”Watch it on Netflix, When the writing and directing team of David Zucker, Jim Abrahams and Jerry Zucker devised this spoof of the disaster movies of the 1970s (including “The Towering Inferno,” “The Poseidon Adventure” and, especially, the “Airport” series) they couldn’t have imagined it would handily outlast the dopey blockbusters it satirized. It’s a giant topic to take on in 100 minutes, and DuVernay understandably has to do some skimming and slicing.

Our critics called it “a wintry pop song of a film, one you want to play on repeat”; achingly melancholy yet riotously funny, it’s one of the great romances of our scrambled age. But the director, Alfonso Cuarón (“Gravity,” “Children of Men”), “Y Tu Mamá También” frames their story partly through the unexpected but effective lens of class and political struggle, constructing a delicate film with much to say about masculinity, poverty and mortality.

Our critic called it “exuberant” and “a delight.” (If you’re looking for a more conventional romance, try “The Notebook,” “Sleepless in Seattle” or “Pride and Prejudice.”)Watch it on Netflix, Gary Oldman is a marvel as George Smiley, the British intelligence agent at the center of this adaptation of the novel by John le Carré. Retrouvez le catalogue et le planning de Netflix pour septembre 2020.

Our critic called it “pop film making of a high order.” (Hopkins is also wonderful, in a very different kind of role, in Netflix’s “The Two Popes.”)Watch it on Netflix, Josh and Benny Safdie have all but singlehandedly kept the tradition of the grimy New York street movie alive in the 21st century, with films like “Heaven Knows What” and “Good Time” (also streaming on Netflix) explicitly recalling the sweaty desperation of ’70s Gotham cinema. Director Barry Jenkins (adapting a play by Tarell Alvin McCraney) creates a world so dense with detail and rich with humanity that every character gets a chance to shine; the themes and ideas are all above board, but conveyed with subtlety and understatement. (The equally bonkers, Kaufman-penned “Being John Malkovich” is also on Netflix. )Watch it on Netflix, This vivid, evocative memory play from Alfonso Cuarón is a story of two Mexican women in the early 1970s: Sofía (Marina de Tavira), a mother of four whose husband (and provider) is on his way out the door, and Cleo (Yalitza Aparicio), the family’s nanny, maid and support system.

Meanwhile, parents will enjoy the vampy leading performance by Anjelica Huston, who invests her character with high style and an outrageous accent. Rees gracefully tells both stories (and the larger tale of postwar America) without veering into didacticism, and her ensemble cast brings every moment of text and subtext into sharp focus.

Prince-Blythewood’s background is in character-driven drama (her credits include “Love and Basketball” and “Beyond the Lights”), and the film is driven by its relationships rather than its effects — and by a thoughtful attentiveness to the morality of its conflicts.